Renee Fleming presents the "Top Ten Opera Lyrics." on the late-night show with David Letterman.
As Fierce as She Is Fragile:
Elaine Stritch in Michigan
By CHARLES ISHERWOOD (nytimes.com)
BIRMINGHAM, Mich. — Even at 88, and in what might be called spectacularly frail health, Elaine Stritch can still make a theatrical entrance.
Dinner is ready, in the condominium just next door to the one Ms. Stritch herself moved into last spring in this pristine Detroit suburb, near where she grew up and where much of her family resides.
The crab cakes have been baked, the corn on the cob boiled, the spinach steamed, the cocktails stirred. Still, no sign of Ms. Stritch. 0
The minutes tick by, with a small frisson of anxiety building. The dinner’s hosts, Kim and Henry Hagood, who have become Ms. Stritch’s friends since she moved next door, can’t seem to get a response, either to a phone call or a knock on the door. We all know she’s not been well lately.
Then, with little fanfare, there she is, a beaming smile on her face, a barking command to her caretaker on her lips. She is dressed with her usual, ahem, minimalism, in black tights, a Detroit Athletic Club T-shirt and not much else. Except for one new and unhappy accessory: a wheelchair.
Ms. Stritch would doubtless prefer a modest string of pearls, but the last several months have not been kind. Before making her dramatic exit from New York — to theater lovers for whom Ms. Stritch is an ornery goddess, it was as if the Chrysler Building itself had picked up its skirts and skipped off to Detroit, of all preposterous places — Ms. Stritch took a bad fall one morning while leaving her longtime habitat, the Carlyle Hotel. Eye surgeries followed.
Not long after that, Ms. Stritch took a second tumble, breaking a hip. Recovery was under way, and Ms. Stritch was settling down in Birmingham when she leaned over to brush her teeth one night at the bathroom sink, somehow lost her balance, and hit the deck again, fracturing her pelvis. So for at least another month or six weeks, she won’t be up and about, although for someone used to striding about with a commanding gait in those tights and heels, she seems to be taking her tumble into infirmity with some measure of acceptance.
When asked what she’s been doing to keep herself occupied, the answer comes quickly: sleeping, often until 3 or 4 in the afternoon — late, even by the standards of showbiz folk. But she seems to relish this: “I’ve been preparing for this nap for a long time,” she says.
Black humor has always come naturally to Ms. Stritch, whose long career, on the New York and London stage, and, more recently, on the television series “30 Rock,” has made her a well-armored survivor. Asked how she has been adjusting to her new life away from the spotlight, Ms. Stritch says, “I don’t really know, I’ve been too busy falling down.
“It’s like a comedy,” she adds, “only a not so funny one.”
Shortly after arriving in Birmingham, Ms. Stritch gave an interview to the Vanity Fair Web site, in which she seemed grousy and regretful. Grousing has always come naturally to this scaldingly frank woman, but she’s never made much of a song and dance about woulda, coulda, shoulda.
“I’m thinking maybe I left a little early,” grumbled the woman once notorious for being the last to abandon any party. The gods apparently can’t take a joke, because for now, at least, even strolling next door is out of the picture for Ms. Stritch. And yet, perhaps because she’s been forced to settle down, her attitude toward her sudden bolt from the spotlight seems to be mellowing.
“One thing I’m proud of myself for doing is combating those feelings,” she says, when those professed second thoughts are mentioned. “I don’t want to be a sad sack who made a mistake. I gotta have a home, a base, a place where all my shoes are. I’m settled. When I first moved in here, I had good friends around me, but I kept thinking, ‘I can’t imagine being here alone.’ But then I was alone, and everything was fine. Now I’d kill to be alone,” she adds, referring to the full-time caretaking she now requires.
“I’ve come up against tougher things than this,” she adds. “I want to win at this decision.”
If that still doesn’t sound like a ringing affirmation of her happiness, so be it. Putting up a veneer of good cheer has never been Ms. Stritch’s stock in trade. Putting it all out there is much more her style, and in conversations over dinner and in her kitchen the following day, Ms. Stritch remains the same blunt, acerbic, unedited personality she always has been, even if the pain killers she takes sometimes find her beginning a story, only to lose its thread (“I guess I just won’t be giving you that jewel,” she says grimly), or asserting an opinion only to proffer another view a few minutes later.
Ms. Stritch dismisses with a violent wave of the hand the idea that she will wither away outside the media glare. “That takes me no time at all,” she says. “I’m not tied to all that. That’s not what I got into the theater for and it’s not what I got out of the theater because of.”
But she also readily acknowledges that the adoration of an audience has been a sustaining force in her life, often when there wasn’t much else. And she would still be happy to return to work.
“I would go to New York and do a play at the drop of a hat,” she says. The stage is where she has always felt most at home, and she seems both intrigued and intimidated by the idea of appearing in a potential revival of Edward Albee’s “Three Tall Women,” which Mr. Albee himself has suggested. (Ms. Stritch is particularly proud of her performance in the 1996 revival of Mr. Albee’s “Delicate Balance.”)
The play is among Mr. Albee’s darkest, a troubling meditation on the rough waters of life at any and all stages, and the darkness that looms at the end. But in at least one respect, Ms. Stritch seems ready to embrace its themes: she talks about her own mortality with a frankness that almost seems like relish. What seems to irk her most about life — at least at present — is its gosh-darned expensiveness. The latest affront is a property tax bill she’s just been slapped with. Life in Birmingham hasn’t turned out to be the economic break she’d expected.
“It’s more expensive than I ever dreamed,” she says. “I’d better die at my appointed time.” During the afternoon interview, Ms. Stritch’s niece Sally Hanley was on hand in the kitchen, having stopped by for a visit. Ms. Stritch’s move to Birmingham was motivated by fatigue with the heady bustle of New York (“I’m tired of the energy”) and a desire to settle down where she had family close at hand. She says she’s enjoyed seeing more of them, although even here the greeting-card sentiment goes quickly through a paper shredder.
“I don’t want to see my family all the time,” she adds, “and they’re delighted, I’m sure, to be aware of that.”
Ms. Hanley adds genially, “We just show up at the door.” Ms. Stritch also likes the idea of having family at hand to arrange matters after she’s gone. “If I drop dead here tomorrow morning, I call Sally, and they come and they take over,” she says, with charming illogic. She’s already made all the arrangements for her interment. (On the gravestone, she says, her epitaph will be a single word: “Later.”) “It’s kind of nice to have that all behind me,” she explains. “It costs a fortune, by the way.”
If the accidents that have laid her low physically have inspired some grim meditating on mortality (and money), Ms. Stritch, at least, does it with her customary wry panache. And in at least one respect, she’s striking out in a new, or at least a long-abandoned, direction. Somewhat surprisingly, given her 25 years of sobriety, Ms. Stritch recently began drinking alcohol again, on a modest scale: at dinner she had a cosmopolitan — preprepared and brought over by her caretaker in a plastic water bottle — and took two sips of Champagne. And during the interview the next day, there was the cosmo again, looking oddly like Hawaiian Punch, in a glass on the table.
She does not fear that one cosmo will lead her back down into alcoholism, partly because her diabetes requires such careful management, but also because she no longer feels so acutely the sting of insecurity that booze softened.
“I was always trying to prove something about myself,” she muses, “and alcohol helped get me through that. But now I’m not escaping from anything. I’ve got a few questions answered.”
Not all of them, of course. Ms. Stritch feels there is one aspect of life she has yet to master, and now finally has the time to attempt: simple satisfaction. When asked what her larger purpose was in removing herself from the city that adored her, sustained her, and then came to tire her, she grows reflective.
“I’d like to discover life,” she says. “Quite frankly I don’t know how to be happy. I have not a clue. I only serve — and I don’t say that with any grandeur. I just serve others through entertaining. That’s when I am happy. I’m not just delighted with myself when I’m entertaining,” she adds sarcastically, “but I’m happier than when I’m not.”
Elaine Stritch in her new place in Birmingham, Mich. “It’s like a comedy,” she said of her post-New York life in recent months, “only a not so funny one. (Photo: Fabrizio Costantini for The New York Times)
ATLANTIC CITY, N.J. -- Moments after winning the 2014 Miss America crown, Nina Davuluri described how delighted she is that the nearly century-old pageant sees beauty and talent of all kinds.
The 24-year-old Miss New York is the first contestant of Indian heritage to become Miss America; her talent routine was a Bollywood fusion dance.
"I'm so happy this organization has embraced diversity," she said in her first press conference after winning the crown in Atlantic City, N.J.'s Boardwalk Hall. "I'm thankful there are children watching at home who can finally relate to a new Miss America." (full story at abcnews.com)
Miss America 2014 - Talent Competition - Miss New York Indian Dance
Nina Davuluri, a 24-year-old from Syracuse, N.Y., was crowned Miss New York on July 13, 2013 at the stately St. George Theatre. (full story at silive.com)
Mallory Hytes Hagan, the former Miss New York turned Miss America who was on hand for the production noted that she was excited to be coming home this weekend to see who will walk away with the job of Miss New York 2013 and embark on their journey to Miss America 2014 in September.
By Carol Ann Benanti/Staten Island Advance, photo: silive.com
Nina Davuluri, Miss New York 2013 at Vartali Salon (photo: Nina, Vartan and Piet)
‘Male Plumage’ Then and Now:
The Changing Face of Men’s Fashion
by Clarisa Diaz, Michael Keller, Isabel Wilkinson
(article from The Daily Beast)
When chronicled by Newsweek in 1968, the stodgy establishment of men’s fashion was “under heavy siege.” We put the cutting-edge designs of the day next to highlights of the Men’s Spring/Summer 2014 collections. read more
Photo: Click to change his plumage! Rearrange the '68 cover or add Men's Fashion Week 2013 plumage from the right! To remove items, drag them into the box, or click reset to start fresh.
Damage Control for Heat,
Humidity, Sun & Chlorine
Conditioning Tips and Treatments for Summer
From the Experts at Vartali
Sun, sand, salt and chlorine can wreak havoc on the healthiest head of hair. They can rob hair of moisture and shine, fade color or turn it brassy. Here are 6 tips from the experts at the Vartali Salon that will keep your locks looking luscious from June through August with a minimal amount of time and effort.
1. Hydrating Oil Moisture Bath Treatment
A unique combination of essential plant oils like sage, rosemary and juniper berries, applied to hair before a shampoo, smoothes split ends, restores moisture and adds overall shine to hair. Have your first treatment at the salon, prior to your cut and styling service, and then continue using at home. $26 vial, used once a week, will last all summer and protect hair from the elements.
2. Heat It Up: Slick hydrating oil on wet hair before a game of tennis or while tanning to add a protective barrier from the sun.
3. Deep Conditioning Hair Masque
All-natural French hair masque provides intense conditioning and keeps color bright and true for 4-6 weeks. Applied with a cap for 30-40 minutes, this is the ultimate color enhancing conditioning treatment. Try it before your next color application. It leaves hair feeling like silk and looking radiant. ($??)
4. Use Masque at home – under a hair dryer, in a sauna or while gardening – to repair sun-damaged strands or for extreme moisture care.
5. Split-Enders: Make sure to trim your ends more frequently during the summer to prevent splits from traveling up the hair shaft and causing hair to look dry or frizzy.
6. Limit your use of blow-drying, hot rollers and styling irons during the summer months. They can compound the damaging effects of sun and salt and result in further drying.
(photo: hairstyle by Rodney Groves)
Spring Into Summer With a Bold, New Look
Hair Fashion Trends From the Vartali Salon Spring/Summer 2013
Change is the watchword for hair this season. So say the stylists and colorists at Vartali, the venerable Manhattan styling emporium located at The Galleria at 115 East 57 Street.
As the weather gets warmer and consumer confidence climbs along with the stock market, women are ready to take the plunge to shorter hair. Inspired by movie stars like Anne Hathaway, Michelle Williams and Charlize Theron, this season’s short cuts run the gamut from wispy gamins to pretty pixies to boyish crops.
“Whether playful or polished, tapered or asymmetrical, short cuts should be shaped to flatter the face and work with the hair’s natural texture,” says salon owner and stylist Vartan Vartali. “There are many options right now, but it’s important for the client to work closely with her stylist to achieve the look that’s right for her features, her mood and her lifestyle.”
“There’s a return to femininity and glamour this season, which we haven’t seen in quite some time, “ Vartan says, “New designers at Dior, St. Laurent and Burberry are bringing a fresh vocabulary and joyful spirit to clothing with pastels, springtime florals, ruffles and sheer fabrics.”
“Women feel more optimistic and lighthearted this season and they want their hair to reflect their mood. Our clients are more open to change and are ready to retire their long-standing style for a fashion-forward look, like a choppy bob or wispy shag. Others are opting for subtle changes, which can be achieved by adding bangs or layers to a favorite style.
Haircolor Director Michael Stinchcomb Says:
Warmer Hues Are Making News
Haircolor Director Michael Stinchcomb reports that clients are more willing to experiment with color this season. “It’s been a long, cold, dreary winter and nothing says summer like sunny highlights. There’s more variety in tonal coloring right now. Honey, caramel, bronze or deep copper highlights, used alone or in combination add dimension and depth to the overall haircolor. Clients are more daring when it comes to a choosing an all-over color – like strawberry blonde or a tawny auburn. One shade from roots to ends can act like make-up for the hair –adding gloss, sheen and body.”
Make-up Artist Asao Mikawa Says
“Brighter Color Is Back”
Makeup, too, is becoming more colorful. Green, blue and purple eye shadows are popular this season, balanced by a pink, peach or neutral lip. Asao Mikawa, veteran make-up artist, advises clients to “play up the features you want to draw attention to and aim for balance. One area -- either the eyes or lips -- should pop, not both.”
“If a client wants to make a subtle change in her makeup look, we suggest she focus on the eyebrow, by going longer, wider or darker. Eyebrows, when properly shaped, lend definition ad strength to the face,” Mikawa advises.
Vartan sums it up by invoking David Bowie, “Changes! That’s the key to hair fashion and makeup looks for Spring/Summer 2013.
Photos: Alamy, Corbis, Everett Collection and Getty Images
Inspired by Michelle Obama, we look at women whose bangs shaped hairstyle history
If there ever was a snip to switch things up, a set of bangs is it: instant impact. The recent explosion of chatter over the FLOTUS’ new style attests to the power of the bang (and Michelle Obama’s influence). Jane Larkworthy, beauty director of W Magazine, tweeted that she’s received more emails about Mrs. Obama’s bangs than the Golden Globes.
We consulted an expert hairstylist for his take. Piet Sinthuchai of Vartali hair salon in New York City says: “Bangs dramatically change your face and everything about you. They change how you feel about yourself. People get them because they’re bored or want to do something drastic. You have to be ready for it. It’s a commitment. But if you have guts, then your hairdresser will tell you how you can carry bangs.”
WHAT STYLE IS BEST? “The trend now is below the eyebrows. Some girls even like them hitting their eyelashes. That way if you have a bad hair day, you can push them to the side and not look totally ridiculous. It’s also more up-to-date.”
WHAT DOESN'T WORK? “The measurements depend on the person, her forehead. I usually don’t recommend short bangs – they tend to look like high-school bangs. It’s frequently best to have them come all the way from the middle of the head for a longer look.”
But it wasn’t always this way. Here, a look at the evolution of #bangs (and yes, the word is trending all over Twitter): ........Read full story
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